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Steve Reinhardt’s 2008 Movie Web Page

 

My Top Ten Films of the Year

Jack Kleinman’s Top Ten

 My Picks for the Academy Awards

My Favorite Critic Andrew Sarris Top Ten Lists

 

 

 

Friends,

 

It’s Oscar ® time!  Another year of film/movies/cinema has passed and now is the time to mark the best and predict the outcome of the grandest and now “strike-free” awards ceremony, the 80th Academy Awards (ABC Feb 24th at 5 PT). As I have for many years I will faithfully predict and watch the show. The usual comments about the show going on too long, good speeches cut short and others left to go way too long will no doubt prevail. For those of you (the few) that look forward to my annual summary of my favorite pastime, I too have been accused of going on too long.  So I hope you bear with me. It is my web page as you know! 

 

I do this annual rite for a couple of reasons. I want to remember the best films I have seen in the past year. It is surprising to look back on Ten’s Best Lists of years gone by and ask: “What was I thinking? I don’t even remember that movie!”  Also, I want others to look at my Ten Best and maybe find something there that they missed or would not have seen and enjoy it.  I hope that this is the case with you.

 

With DVD’s and NETFLIX a movie’s life can be extended and any film is now accessible. Pretty soon we’ll all be downloading HD quality films on demand and every piece of preserved celluloid will be instantly available to us. I HAVE SEEN THE FUTURE and it is “on demand”. It’s just that we won’t have the time to see it all.

 

And again this year I am proud to include the lists of Jack Kleinman and Andrew Sarris to round out my own.  Jack, the manager of the Regal Cinemas Santa Cruz 9, and my good friend of thirty plus years has offered insights to films that I never seem to see.

 

Sarris was called by Mick LaSalle of the SF Chronicle:  “the greatest living film critic and probably the best ever in the English language.” That praise is only writing what Jack and I have known for years. You can enjoy Mr. Sarris’ insights on a weekly basis through his column in the New York Observer. 

 

Full disclosure:  I met Joe Wright! My pick for best film of this year, Atonement is not only based on the film, but also the experience of the preview screening that I attended in November.  Having a chance to meet and talk with director Joe Wright and star James McAvoy has definitely influenced my selection this year. The film is a great one as acknowledged by Sarris’ pick as his #2 English language film. I made it #1.

 

 

 

Steve Reinhardt’s Top Ten for 2007

 

        

          

 

1.      Atonement

2.      The Savages

3.      Juno

4.      Lars and the Real Girl

5.      Away From Her

6.      Waitress

7.      Once

8.      You Kill Me

9.      The Diving Bell and The Butterfly

10.  Feast of Love

11.  Paris Je t’aime

12.  There Will Be Blood

 

         

               

 

 

Special Mention:  Local Favorite

 

 

Colma: The Musical

 

 

Click on the picture to find out more about my favorite movies of the past year.

 

 

Jack Kleinman’s Top Ten for 2007

 

Here's Jack’s Top 10 of 2007.  He’s always good for picking selections I may have missed!

 

1.   The Diving Bell and the Butterfly

2.   Lust, Caution

3.   Lars and the Real Girl

4.   Juno

5.   There Will Be Blood

6.   Eastern Promises

7.   After the Wedding

8.   Away From Her

9.   Zodiac

10.  Feast of Love

11.  Things We Lost in the Fire

12.  First Snow... and for a bakers dozen, Ratatouille.

 

Best actor of the year: Philip Seymour Hoffman for his amazing performances in

Before the Devil Knows You're Dead, The Savages, and Charlie Wilson's War.

 

Jack Kleinman 2/16/08

 

Steve Reinhardt’s Picks for the Academy Awards

 

Here are my picks to win the Academy Awards on February 24, 2008. These picks were made on February 17, 2008 so I can’t change them at the last minute! Historically, my guesses are only about 46% correct, so don’t bet the rent money.

 

My picks are in BOLD below.

 

Performance by an actor in a leading role
George Clooney in "Michael Clayton" (Warner Bros.)

Daniel Day-Lewis in "There Will Be Blood" (Paramount Vantage and Miramax)
Johnny Depp in "Sweeney Todd The Demon Barber of Fleet Street" (DreamWorks and Warner Bros., Distributed by DreamWorks/Paramount)
Tommy Lee Jones in "In the Valley of Elah" (Warner Independent)
Viggo Mortensen in "Eastern Promises" (Focus Features)

Performance by an actor in a supporting role
Casey Affleck in "The Assassination of Jesse James by the Coward Robert Ford" (Warner Bros.)
Javier Bardem in "No Country for Old Men" (Miramax and Paramount Vantage)
Philip Seymour Hoffman in "Charlie Wilson's War" (Universal)
Hal Holbrook in "Into the Wild" (Paramount Vantage and River Road Entertainment)
Tom Wilkinson in "Michael Clayton" (Warner Bros.)

Performance by an actress in a leading role
Cate Blanchett in "Elizabeth: The Golden Age" (Universal)
Julie Christie in "Away from Her" (Lionsgate)
Marion Cotillard in "La Vie en Rose" (Picturehouse)
Laura Linney in "The Savages" (Fox Searchlight)
Ellen Page in "Juno" (A Mandate Pictures/Mr. Mudd Production)

Performance by an actress in a supporting role
Cate Blanchett in "I'm Not There" (The Weinstein Company)
Ruby Dee in "American Gangster" (Universal)
Saoirse Ronan in "Atonement" (Focus Features)
Amy Ryan in "Gone Baby Gone" (Miramax)
Tilda Swinton in "Michael Clayton" (Warner Bros.)

Best animated feature film of the year
"Persepolis" (Sony Pictures Classics): Marjane Satrapi and Vincent Paronnaud
"Ratatouille" (Walt Disney): Brad Bird
"Surf's Up" (Sony Pictures Releasing): Ash Brannon and Chris Buck

Achievement in art direction
"American Gangster" (Universal): Art Direction: Arthur Max; Set Decoration: Beth A. Rubino
"Atonement" (Focus Features): Art Direction: Sarah Greenwood; Set Decoration: Katie Spencer
"The Golden Compass" (New Line in association with Ingenious Film Partners): Art Direction: Dennis Gassner; Set Decoration: Anna Pinnock
"Sweeney Todd The Demon Barber of Fleet Street" (DreamWorks and Warner Bros., Distributed by DreamWorks/Paramount): Art Direction: Dante Ferretti; Set Decoration: Francesca Lo Schiavo
"There Will Be Blood" (Paramount Vantage and Miramax): Art Direction: Jack Fisk; Set Decoration: Jim Erickson

Achievement in cinematography
"The Assassination of Jesse James by the Coward Robert Ford" (Warner Bros.): Roger Deakins
"Atonement" (Focus Features): Seamus McGarvey
"The Diving Bell and the Butterfly" (Miramax/Pathé Renn): Janusz Kaminski
"No Country for Old Men" (Miramax and Paramount Vantage): Roger Deakins
"There Will Be Blood" (Paramount Vantage and Miramax): Robert Elswit

Achievement in costume design
"Across the Universe" (Sony Pictures Releasing) Albert Wolsky
"Atonement" (Focus Features) Jacqueline Durran
"Elizabeth: The Golden Age" (Universal) Alexandra Byrne
"La Vie en Rose" (Picturehouse) Marit Allen
"Sweeney Todd The Demon Barber of Fleet Street" (DreamWorks and Warner Bros., Distributed by DreamWorks/Paramount) Colleen Atwood

Achievement in directing
"The Diving Bell and the Butterfly" (Miramax/Pathé Renn), Julian Schnabel
"Juno" (A Mandate Pictures/Mr. Mudd Production), Jason Reitman
"Michael Clayton" (Warner Bros.), Tony Gilroy
"No Country for Old Men" (Miramax and Paramount Vantage), Joel Coen and Ethan Coen
"There Will Be Blood" (Paramount Vantage and Miramax), Paul Thomas Anderson

Best documentary feature
"No End in Sight" (Magnolia Pictures) A Representational Pictures Production: Charles Ferguson and Audrey Marrs
"Operation Homecoming: Writing the Wartime Experience" (The Documentary Group) A Documentary Group Production: Richard E. Robbins
"Sicko" (Lionsgate and The Weinstein Company) A Dog Eat Dog Films Production: Michael Moore and Meghan O'Hara
"Taxi to the Dark Side" (THINKFilm) An X-Ray Production: Alex Gibney and Eva Orner
"War/Dance" (THINKFilm) A Shine Global and Fine Films Production: Andrea Nix Fine and Sean Fine

Best documentary short subject
"Freeheld" A Lieutenant Films Production: Cynthia Wade and Vanessa Roth
"La Corona (The Crown)" A Runaway Films and Vega Films Production: Amanda Micheli and Isabel Vega
"Salim Baba" A Ropa Vieja Films and Paradox Smoke Production: Tim Sternberg and Francisco Bello
"Sari's Mother" (Cinema Guild) A Daylight Factory Production: James Longley

Achievement in film editing
"The Bourne Ultimatum" (Universal): Christopher Rouse
"The Diving Bell and the Butterfly" (Miramax/Pathé Renn): Juliette Welfling
"Into the Wild" (Paramount Vantage and River Road Entertainment): Jay Cassidy
"No Country for Old Men" (Miramax and Paramount Vantage) Roderick Jaynes
"There Will Be Blood" (Paramount Vantage and Miramax): Dylan Tichenor

Best foreign language film of the year
"Beaufort" Israel
"The Counterfeiters" Austria
"Katyn" Poland
"Mongol" Kazakhstan
"12" Russia

Achievement in makeup
"La Vie en Rose" (Picturehouse) Didier Lavergne and Jan Archibald
"Norbit" (DreamWorks, Distributed by Paramount): Rick Baker and Kazuhiro Tsuji
"Pirates of the Caribbean: At World's End" (Walt Disney): Ve Neill and Martin Samuel

Achievement in music written for motion pictures (Original score)
"Atonement" (Focus Features) Dario Marianelli
"The Kite Runner" (DreamWorks, Sidney Kimmel Entertainment and Participant Productions, Distributed by Paramount Classics): Alberto Iglesias
"Michael Clayton" (Warner Bros.) James Newton Howard
"Ratatouille" (Walt Disney) Michael Giacchino
"3:10 to Yuma" (Lionsgate) Marco Beltrami

Achievement in music written for motion pictures (Original song)
"Falling Slowly" from "Once" (Fox Searchlight) Music and Lyric by Glen Hansard and: Marketa Irglova
"Happy Working Song" from "Enchanted" (Walt Disney): Music by Alan Menken; Lyric by Stephen Schwartz
"Raise It Up" from "August Rush" (Warner Bros.): Music and Lyric by Jamal Joseph, Charles Mack and Tevin Thomas
"So Close" from "Enchanted" (Walt Disney): Music by Alan Menken; Lyric by Stephen Schwartz
"That's How You Know" from "Enchanted" (Walt Disney): Music by Alan Menken; Lyric by Stephen Schwartz

Best motion picture of the year
"Atonement" (Focus Features) A Working Title Production: Tim Bevan, Eric Fellner and Paul Webster, Producers
"Juno" (A Mandate Pictures/Mr. Mudd Production) A Mandate Pictures/Mr. Mudd Production: Lianne Halfon, Mason Novick and Russell Smith, Producers
"Michael Clayton" (Warner Bros.) A Clayton Productions, LLC Production: Sydney Pollack, Jennifer Fox and Kerry Orent, Producers
"No Country for Old Men" (Miramax and Paramount Vantage) A Scott Rudin/Mike Zoss Production: Scott Rudin, Ethan Coen and Joel Coen, Producers
"There Will Be Blood" (Paramount Vantage and Miramax) A JoAnne Sellar/Ghoulardi Film Company Production: JoAnne Sellar, Paul Thomas Anderson and Daniel Lupi, Producers

Best animated short film
"I Met the Walrus" A Kids & Explosions Production: Josh Raskin
"Madame Tutli-Putli" (National Film Board of Canada) A National Film Board of Canada Production Chris Lavis and Maciek Szczerbowski
"Même les Pigeons Vont au Paradis (Even Pigeons Go to Heaven)" (Premium Films) A BUF Compagnie Production Samuel Tourneux and Simon Vanesse
"My Love (Moya Lyubov)" (Channel One Russia) A Dago-Film Studio, Channel One Russia and Dentsu Tec Production Alexander Petrov
"Peter & the Wolf" (BreakThru Films) A BreakThru Films/Se-ma-for Studios Production Suzie Templeton and Hugh Welchman

Best live action short film
"At Night" A Zentropa Entertainments 10 Production: Christian E. Christiansen and Louise Vesth
"Il Supplente (The Substitute)" (Sky Cinema Italia) A Frame by Frame Italia Production: Andrea Jublin
"Le Mozart des Pickpockets (The Mozart of Pickpockets)" (Premium Films) A Karé Production: Philippe Pollet-Villard
"Tanghi Argentini" (Premium Films) An Another Dimension of an Idea Production: Guido Thys and Anja Daelemans
"The Tonto Woman" A Knucklehead, Little Mo and Rose Hackney Barber Production: Daniel Barber and Matthew Brown

Achievement in sound editing
"The Bourne Ultimatum" (Universal): Karen Baker Landers and Per Hallberg
"No Country for Old Men" (Miramax and Paramount Vantage): Skip Lievsay
"Ratatouille" (Walt Disney): Randy Thom and Michael Silvers
"There Will Be Blood" (Paramount Vantage and Miramax): Christopher Scarabosio and Matthew Wood
"Transformers" (DreamWorks and Paramount in association with Hasbro): Ethan Van der Ryn and Mike Hopkins

Achievement in sound mixing
"The Bourne Ultimatum" (Universal) Scott Millan, David Parker and Kirk Francis
"No Country for Old Men" (Miramax and Paramount Vantage): Skip Lievsay, Craig Berkey, Greg Orloff and Peter Kurland
"Ratatouille" (Walt Disney): Randy Thom, Michael Semanick and Doc Kane
"3:10 to Yuma" (Lionsgate): Paul Massey, David Giammarco and Jim Stuebe
"Transformers" (DreamWorks and Paramount in association with Hasbro): Kevin O'Connell, Greg P. Russell and Peter J. Devlin

Achievement in visual effects
"The Golden Compass" (New Line in association with Ingenious Film Partners): Michael Fink, Bill Westenhofer, Ben Morris and Trevor Wood
"Pirates of the Caribbean: At World's End" (Walt Disney): John Knoll, Hal Hickel, Charles Gibson and John Frazier
"Transformers" (DreamWorks and Paramount in association with Hasbro): Scott Farrar, Scott Benza, Russell Earl and John Frazier

Adapted screenplay
"Atonement" (Focus Features), Screenplay by Christopher Hampton
"Away from Her" (Lionsgate), Written by Sarah Polley
"The Diving Bell and the Butterfly" (Miramax/Pathé Renn), Screenplay by Ronald Harwood
"No Country for Old Men" (Miramax and Paramount Vantage), Written for the screen by Joel Coen & Ethan Coen
"There Will Be Blood" (Paramount Vantage and Miramax), Written for the screen by Paul Thomas Anderson

Original screenplay
"Juno" (A Mandate Pictures/Mr. Mudd Production), Written by Diablo Cody
"Lars and the Real Girl" (MGM), Written by Nancy Oliver
"Michael Clayton" (Warner Bros.), Written by Tony Gilroy
"Ratatouille" (Walt Disney), Screenplay by Brad Bird; Story by Jan Pinkava, Jim Capobianco, Brad Bird
"The Savages" (Fox Searchlight), Written by Tamara Jenkins

 

 

Andrew Sarris Top Picks of 2007

 

Juno, Juno, Juno! A Movie That Delivered

by Andrew Sarris  |  January 1, 2008

Movie Critic for the New York Observer

 

I strongly suspect that in the year 2007, there were more interesting pictures and, almost certainly, more interesting acting performances than I had time to see. After all, there were more than 500 films released in the New York area this year, not unlike most recent years. Hence, I apologize in advance to all the talented people I may have overlooked in my year-end rumination. Nonetheless, with all the wonders of contemporary technology, it is becoming easier to catch up, as it were, with any neglected masterpieces we may have missed during the year.

 

So without any further ado, here are my choices for the best English-language films in 2007:

 

1. Jason Reitman’s Juno

2. Joe Wright’s Atonement

3. Andrew Wagner’s Starting Out in the Evening

4. John Carney’s Once

5. Sarah Polley’s Away From Her

6. Steve Buscemi’s Interview

7. Michael Apted’s Amazing Grace

8. Tamara Jenkins’ The Savages

9. Denzel Washington’s The Great Debaters

10. (Three-Way Tie) Robert Benton’s Feast of Love, Judd Apatow’s Knocked Up and John Dahl’s You Kill Me.

 

IN CASE YOU were wondering, yes, I saw the Coen brothers’ No Country for Old Men. This year it makes up my entire category of Movies Other People Liked and I Didn’t. It is simply too nihilistically evil-worshipping for my taste, though I can’t fault the sterling performances of Javier Bardem, Josh Brolin, Tommy Lee Jones and Woody Harrelson.

 

MY CHOICES FOR the best foreign-language films in 2007:

1. Julian Schnabel’s The Diving Bell and the Butterfly

2. Florian Henckel von Donnersmarck’s The Lives of Others

3. Ang Lee’s Lust, Caution

4. Stefan Krohmer’s Summer ’04

5. Denis Dercourt’s The Page Turner (La Tourneuse de Pages)

6. Susanne Bier’s After the Wedding

7. Pascale Ferran’s Lady Chatterley

8. Patrice Leconte’s My Best Friend

9. Joachim Lafosse’s Private Property

10. (Three-Way Tie) Olivier Dahan’s La Vie en rose, Paul Verhoeven’s Black Book and Claude Chabrol’s The Comedy of Power

 

 

You may reach Andrew Sarris via email at: asarris@observer.com.

 

 

© 2008 Steve Reinhardt